555
8.0
正片
飞行器里的好小伙,或我是怎样花25小时11分从伦敦飞到巴黎
8.0
上映时间:2025年02月07日
主演:斯图尔特·惠特曼,莎拉·米尔斯,詹姆斯·福克斯,阿尔贝托·索尔迪,罗伯特·莫利,杰特·弗罗比,让-皮埃尔·卡塞尔,伊琳娜·德米克,埃里克·赛克斯,雷德·斯克尔顿,特里-托马斯,班尼·黑尔,石原裕次郎,弗劳拉·罗博森,卡尔·米夏埃尔·福格勒,萨姆·沃纳梅克,Eric,Barker,莫瑞斯·德纳姆,Fred,Emney,戈登·杰克逊,Davy,Kaye,约翰·勒·梅苏里尔,Jeremy,Lloyd,赞娜·马歇尔,米利塞特·马丁,埃里克·普罗曼,马乔里·罗德,诺曼·罗辛顿,William,Rushton,格雷厄
简介:

1910年,“飞行器”是那个时代风行一时的事物。然而正因为它刚刚诞生,一切还处于起步阶段。英国每日邮报主编劳德·罗恩斯(罗伯特·莫利 Robert Morley饰)策划组织了一场从伦敦飞往巴黎的竞赛。而这次竞赛的目的,就是为了彰显英国种族的优越。如果一切都按照预期发展,不出所料的,他的女婿理查德·梅斯(詹姆斯·福克斯 James Fox饰)将赢得比赛。竞赛的新闻一经发出,就得到了来自世界各地飞行器爱好者的踊跃报名。然而这场本该是冒险者的比赛,却成为了一场争夺帕特里夏·罗恩斯利(莎拉·米尔斯 Sarah Miles饰)感情的竞赛。 本片荣获1966年第38届奥斯卡金像奖最佳原创剧本提名,1966年第23届金球奖电影类-音乐喜剧类最佳影片提名及音乐喜剧类最佳男主角提名。影片描写了不同国家的飞行员的个性:死板的德国人、阴险的法国人、傲慢的意大利人还有倒霉的日本人,而英国人和美国人则被刻画成互相帮助的好人。片中很多经典的桥段,被以后很多的喜剧片所争相效仿,向本片致敬。

555
正片
飞行器里的好小伙,或我是怎样花25小时11分从伦敦飞到巴黎
主演:斯图尔特·惠特曼,莎拉·米尔斯,詹姆斯·福克斯,阿尔贝托·索尔迪,罗伯特·莫利,杰特·弗罗比,让-皮埃尔·卡塞尔,伊琳娜·德米克,埃里克·赛克斯,雷德·斯克尔顿,特里-托马斯,班尼·黑尔,石原裕次郎,弗劳拉·罗博森,卡尔·米夏埃尔·福格勒,萨姆·沃纳梅克,Eric,Barker,莫瑞斯·德纳姆,Fred,Emney,戈登·杰克逊,Davy,Kaye,约翰·勒·梅苏里尔,Jeremy,Lloyd,赞娜·马歇尔,米利塞特·马丁,埃里克·普罗曼,马乔里·罗德,诺曼·罗辛顿,William,Rushton,格雷厄
551
5.0
正片
圣诞公公2
5.0
上映时间:2025年02月07日
主演:比利·鲍伯·松顿,凯西·贝茨,托尼·考克斯,克里斯蒂娜·亨德里克斯,布瑞特·凯利,瑞恩·汉森,珍妮·吉格瑞诺,杰夫·斯科夫龙,克里斯蒂娜·罗塞托,迈克·斯塔尔,奥克塔维亚·斯宾瑟,西拉·维克多,隆巴多·博伊尔
简介:

  米拉迈克斯公司(Miramax) 和Broad Green Pictures公司宣布,他们将为2003年喜剧《圣诞坏公公》(Bad Santa)拍摄续集,原版主演比利·鲍勃·松顿(Billy Bob Thornton)也会回归。                                                                      《圣诞坏公公》讲述的是一个小偷为了行窃,到商场扮成圣诞老人的故事。和我们通常看到的圣诞老人不同,比利·鲍勃·松顿塑造的圣诞公公抽烟、喝酒、三观不正满满负能量,不过这样的人设倒是让人感觉十分新鲜,电影当年上映时以黑马之姿取得了票房佳绩。                                                                      《圣诞坏公公2》(Bad Santa 2)计划2016年圣诞档期在美国上映,明年一月份该片将在加拿大魁北克省的蒙特利尔开机拍摄。

551
正片
圣诞公公2
主演:比利·鲍伯·松顿,凯西·贝茨,托尼·考克斯,克里斯蒂娜·亨德里克斯,布瑞特·凯利,瑞恩·汉森,珍妮·吉格瑞诺,杰夫·斯科夫龙,克里斯蒂娜·罗塞托,迈克·斯塔尔,奥克塔维亚·斯宾瑟,西拉·维克多,隆巴多·博伊尔
548
1.0
正片
纽约夜月情
1.0
上映时间:2025年02月07日
主演:Matthew Broderick,Jeanne Tripplehorn,Tim Guinee
简介:

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

548
正片
纽约夜月情
主演:Matthew Broderick,Jeanne Tripplehorn,Tim Guinee