552
4.0
正片
日落号列车
4.0
上映时间:2025年02月07日
主演:汤米·李·琼斯,塞缪尔·杰克逊
简介:一个房间、两个大叔,一场啾啾啾啾的深度争论,舞台剧式的电视电影,以及短促而深奥的生死命题与挣扎。如果没有挂上《老无所依》编剧大名,没有看到汤米·李·琼斯与塞缪尔·杰克逊这两位好莱坞最著名的牛仔与枪手的飙戏片段,不知道有多少人会对这部《日落号列车》产生兴趣,但他是HBO今年的电视电影力作,也有望成为明年金球艾美上的热门剧。《日落号列车》根据曾获得普利策奖的美国著名作家、剧作家考麦克·麦卡锡的同名小说、话剧剧本改编,故事充满着黑色幽默与沉默伤感的意味深长,并有峙点舞台剧的感觉。故事讲述两个普通的无名氏,原作只赋予了他们“黑色”和“白色”两个代号,他们是截然不同的陌生人:一个黑人宗教主义者和一个无神论的白人教授,在情节展开前,黑人曾从日落号列车的站台前救了要自杀的白人,接下来的所有的内容都集中在纽约一间普通的公寓里,两个人身处绝望的环境下,一起进行了有关宗教、人生、死亡,以及针对白人是否自杀的探讨与碰撞,他们在不同立场上,激烈争论了否有足够的理由相信上帝,一个真的信徒和一个只是想获得救赎的罪人有什么差别。【幕后制作】这部HBO的电视电影由汤米·李·琼斯亲自执导,考麦克·麦卡锡为其编写剧本,这不是两位的首次合作,上一次精诚合作还是在科恩兄弟的经典之作《老无所依》中。将CormacMcCarthy(2008年诺贝尔文学奖获得者)的著作搬上银幕是一件电影下载让多数人望而却步的事,而TommyLeeJones通过出演2007年的《老无所依》(根据CormacMcCarthy的同名小说改编)已是深谙其道。因此当他决定改编这位文坛巨匠的以自杀为主题的剧本小说《日落有尽》时,他打电话给McCarthy征得了许可。这位隐居的著名作家送上了自己的祝福,甚至还到片场探班。这部HBO出品的电影(2011年2月12日首映)的导演,SamuelJackson的片中搭档,Jones说:“Cormac和我们在一起度过了许多排演的时光,这对我和Sam来说是一次很好的经历,可是对其他人来说却不是,因为我不让其他人插手。嗯,(我确实邀请)有HBO的一些人,但他们只能叉手靠墙干坐着。”
552
正片
日落号列车
主演:汤米·李·琼斯,塞缪尔·杰克逊
550
6.0
正片
光之声
6.0
上映时间:2025年02月07日
主演:娜塔莉·波特曼,裘德·洛,斯塔西·马汀,詹妮弗·艾莉,拉菲·卡西迪,克里斯托弗·阿波特,Logan,Riley,Bruner,玛丽亚·迪齐亚,梅格·吉普森,丹尼尔·伦敦,萨赫·尼瓜加赫,米切尔·理查德森,马特·索维托,莱斯利·席尔瓦,艾莉森·温,弗莱德·赫钦格,安东尼奥·奥提兹,克里斯托弗·迪伦·怀特,埃里克·金,苏菲·柯蒂斯,西莉亚·罗森-豪尔,Maceo,Oliver,Stephen,A.,Pope,莫娜·法斯特欧德,Luis,Moco,娜吉拉·吉列姆,威廉·达福,克里斯·班克斯,安妮·比萨比亚,娜塔
简介:

  鲁妮·玛拉加盟布拉迪·科贝特执导的新片《光之声》(Vox Lux,暂译),格莱美提名女歌手Sia将为该片创作歌曲。新片将采用65毫米大格式胶片拍摄、70毫米大格式胶片放映。故事讲述从1999年至现在十余年间,一个经历动乱浩劫的女人如何摇身一变成了超级明星。影片将于2017年2月开拍。

550
正片
光之声
主演:娜塔莉·波特曼,裘德·洛,斯塔西·马汀,詹妮弗·艾莉,拉菲·卡西迪,克里斯托弗·阿波特,Logan,Riley,Bruner,玛丽亚·迪齐亚,梅格·吉普森,丹尼尔·伦敦,萨赫·尼瓜加赫,米切尔·理查德森,马特·索维托,莱斯利·席尔瓦,艾莉森·温,弗莱德·赫钦格,安东尼奥·奥提兹,克里斯托弗·迪伦·怀特,埃里克·金,苏菲·柯蒂斯,西莉亚·罗森-豪尔,Maceo,Oliver,Stephen,A.,Pope,莫娜·法斯特欧德,Luis,Moco,娜吉拉·吉列姆,威廉·达福,克里斯·班克斯,安妮·比萨比亚,娜塔
548
1.0
正片
纽约夜月情
1.0
上映时间:2025年02月07日
主演:Matthew Broderick,Jeanne Tripplehorn,Tim Guinee
简介:

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

548
正片
纽约夜月情
主演:Matthew Broderick,Jeanne Tripplehorn,Tim Guinee